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It's easy to root for her and her team at Dada.nyc because there is no question that they are in it for the art and the artists. Bea is literally overflowing with positive creative energy. What is Dada.nycīeatriz Helena Ramos or 'Bea' is a professionally trained artist and the founder of Dada.nyc. Let's take a look a few of the most important CryptoArt platforms and the artwork and artists associated with them. Key to this new breed of CryptoArtists is a group of creative technologists building the platforms for them to use. The platforms typically provide the CrytpoArtists with the tools needed for creating, buying, and selling their work on the blockchain in a real marketplace with little to no commission taken out by a third party. On a personal level, I am most bullish on the long-term potential and impact of the second category of CryptoArtists. These artists have been empowered through democratic platforms designed to empower anyone to function as an artist. Self-trained: These are artists who are typically untrained, or more appropriately, self-trained. These include artists like Guile Gaspar from CryptoKitties and John Watkinson, the artist behind CryptoPunks. Tech-savvy: These are the artists who were tech-savvy enough on their own (or worked with tech-savvy partners) to launch their own controlled, limited, rare digital art. I categorize CryptoArtists into two main categories: tech-savvy artists and self-trained artists. Instead, it is best to judge CryptoArt by 'dankness' or potency of expression and creativity. Dankness: Because CryptoArt is open to everyone, judging it by traditional artistic standards kills what is great about it.Artists are often remunerated for every future sale of a single work. Pro-Artist: Blockchain platforms often take little to no commission from artists.

CryptoPatrons: CryptoArt is collected by the CryptoRich: a group of savvy technologists and investors who got into cryptocurrency early.

Self-Referential: CryptoArtists often play with references to key events and personalities within cryptocurrency and blockchain culture.The difference? The 'Meme Economy' is now a reality. Memetic: CryptoArt are often literally memes valued for their ability to spread quickly.Anonymous: Use of pseudonyms allows artists to create and sell art while staying anonymous (if preferred), freeing them from social judgment.Decentralized: Tools and guidelines are designed to reduce the power of gatekeepers and middlemen and increase the autonomy of artists.Democratic/Permissionless: Everyone is encouraged to participate regardless of skills, training, class, gender, race, age, creed, etc.CryptoArt is the first truly global art movement. Geographically Agnostic: Empowered by the internet, artists participate from all over the world.Digitally Native: For the first time, artwork can be created, editioned, bought, and sold digitally.

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While no single CryptoArtist or CryptoArtwork adheres to a single definition, I believe it is helpful to look at a series of common factors that have shaped the aesthetic and community thus far. Popular early examples include CryptoKitties, CryptoPunks, Rare Pepe, CurioCards, and Dada.nyc. This system works due to the fact that, like Bitcoins and other cryptocurrency, CryptoArt exist in limited quantity. The concept is based on the idea of digital scarcity, which allows you to buy, sell, and trade digital goods as if they were physical goods. In my first post on the blockchain and art I declared that ' The Blockchain Art Market is Here.' In this new article, I make the argument that art native to the blockchain has its own aesthetic and represents a new and important movement within art. I call this movement/aesthetic CryptoArt.ĬryptoArt are rare digital artworks, sometimes described as digital trading cards or 'rares', associated with unique and provably rare tokens that exist on the blockchain.

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